第45章 CHAPTER XI. The Maestro Jimson (2)

He stepped on deck, and passing to the bow of his embarkation, looked for the first time up the river. He started. Only a few hundred yards above another houseboat lay moored among the willows. It was very spick-and-span, an elegant canoe hung at the stern, the windows were concealed by snowy curtains, a flag floated from a staff. The more Gideon looked at it, the more there mingled with his disgust a sense of impotent surprise. It was very like his uncle's houseboat; it was exceedingly like--it was identical. But for two circumstances, he could have sworn it was the same. The first, that his uncle had gone to Maidenhead, might be explained away by that flightiness of purpose which is so common a trait among the more than usually manly. The second, however, was conclusive: it was not in the least like Mr Bloomfield to display a banner on his floating residence; and if he ever did, it would certainly be dyed in hues of emblematical propriety. Now the Squirradical, like the vast majority of the more manly, had drawn knowledge at the wells of Cambridge--he was wooden spoon in the year 1850; and the flag upon the houseboat streamed on the afternoon air with the colours of that seat of Toryism, that cradle of Puseyism, that home of the inexact and the effete Oxford. Still it was strangely like, thought Gideon.

And as he thus looked and thought, the door opened, and a young lady stepped forth on deck. The barrister dropped and fled into his cabin--it was Julia Hazeltine! Through the window he watched her draw in the canoe, get on board of it, cast off, and come dropping downstream in his direction.

'Well, all is up now,' said he, and he fell on a seat.

'Good-afternoon, miss,' said a voice on the water. Gideon knew it for the voice of his landlord.

'Good-afternoon,' replied Julia, 'but I don't know who you are; do I? O yes, I do though. You are the nice man that gave us leave to sketch from the old houseboat.'

Gideon's heart leaped with fear.

'That's it,' returned the man. 'And what I wanted to say was as you couldn't do it any more. You see I've let it.'

'Let it!' cried Julia.

'Let it for a month,' said the man. 'Seems strange, don't it?

Can't see what the party wants with it?'

'It seems very romantic of him, I think,' said Julia, 'What sort of a person is he?'

Julia in her canoe, the landlord in his wherry, were close alongside, and holding on by the gunwale of the houseboat; so that not a word was lost on Gideon.

'He's a music-man,' said the landlord, 'or at least that's what he told me, miss; come down here to write an op'ra.'

'Really!' cried Julia, 'I never heard of anything so delightful!

Why, we shall be able to slip down at night and hear him improvise! What' is his name?'

'Jimson,' said the man.

'Jimson?' repeated Julia, and interrogated her memory in vain.

But indeed our rising school of English music boasts so many professors that we rarely hear of one till he is made a baronet.

'Are you sure you have it right?'

'Made him spell it to me,' replied the landlord.

'J-I-M-S-O-N--Jimson; and his op'ra's called--some kind of tea.'

'SOME KIND OF TEA!' cried the girl. 'What a very singular name for an opera! What can it be about?' And Gideon heard her pretty laughter flow abroad. 'We must try to get acquainted with this Mr Jimson; I feel sure he must be nice.'

'Well, miss, I'm afraid I must be going on. I've got to be at Haverham, you see.'

'O, don't let me keep you, you kind man!' said Julia. 'Good afternoon.'

'Good afternoon to you, miss.'

Gideon sat in the cabin a prey to the most harrowing thoughts.

Here he was anchored to a rotting houseboat, soon to be anchored to it still more emphatically by the presence of the corpse, and here was the country buzzing about him, and young ladies already proposing pleasure parties to surround his house at night. Well, that meant the gallows; and much he cared for that. What troubled him now was Julia's indescribable levity. That girl would scrape acquaintance with anybody; she had no reserve, none of the enamel of the lady. She was familiar with a brute like his landlord; she took an immediate interest (which she lacked even the delicacy to conceal) in a creature like Jimson! He could conceive her asking Jimson to have tea with her! And it was for a girl like this that a man like Gideon--Down, manly heart!

He was interrupted by a sound that sent him whipping behind the door in a trice. Miss Hazeltine had stepped on board the houseboat. Her sketch was promising; judging from the stillness, she supposed Jimson not yet come; and she had decided to seize occasion and complete the work of art. Down she sat therefore in the bow, produced her block and water-colours, and was soon singing over (what used to be called) the ladylike accomplishment. Now and then indeed her song was interrupted, as she searched in her memory for some of the odious little receipts by means of which the game is practised--or used to be practised in the brave days of old; they say the world, and those ornaments of the world, young ladies, are become more sophisticated now; but Julia had probably studied under Pitman, and she stood firm in the old ways.

Gideon, meanwhile, stood behind the door, afraid to move, afraid to breathe, afraid to think of what must follow, racked by confinement and borne to the ground with tedium. This particular phase, he felt with gratitude, could not last for ever; whatever impended (even the gallows, he bitterly and perhaps erroneously reflected) could not fail to be a relief. To calculate cubes occurred to him as an ingenious and even profitable refuge from distressing thoughts, and he threw his manhood into that dreary exercise.